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Beyond the Sea: Impressionism and Modern Painting in Europe

Exhibition Info
Two women conversing on the bow of a boat - one standing against the railing and one reclining …
Beyond the Sea: Impressionism and Modern Painting in EuropeSaturday, July 2, 2022 - Ongoing

In the late 1800s and early 1900s, countless American painters journeyed across the Atlantic Ocean in search of fresh subjects and styles. By visiting exhibitions, attending classes, and befriending leading European artists, they observed the growing popularity of impressionism and other dynamic, sometimes controversial trends in contemporary art. Many adopted new painting techniques, using vigorous brushwork and patches of unblended paint to give bold surface texture to their canvases. Though some art critics ridiculed the immediacy of impressionist pictures, others found their energy refreshing.

Working outdoors—painting directly from nature—became a favorite practice among late 19th-century artists in Europe. They embraced the physicality of carrying their equipment into backyards and beyond, hunting for beautiful scenery and opportunities for experimentation. Plein-air painting introduced challenges like portraying the power of wind, movement of waves, and weather effects like storms and fog, and these artists studiously observed the play of sunlight, shadows, and shifts in color at different times of day. Their pictures, they found, could further stimulate viewers’ senses by suggesting heat, humidity, and the fragrances of the natural world.

The contrast between urban and rural life also fascinated painters of this era. Some noted differences in traditional dress between the Netherlands, Spain, and the French countryside. Elsewhere artists used friends, family, and patrons as models, creating fashionable vignettes of elite leisure. Together, such works reveal the rapid transitions then underway across European society, as the Industrial Revolution swept the Old World, ushering in changes to class systems and inspiring nostalgia for crafts and customs from earlier times.

This exhibition from Telfair’s collection offers a window onto this dynamic and cosmopolitan art world, in which American and European painters nurtured vibrant international visual conversations. It features works by Robert Henri, Gari Melchers, Henri Martin, Frederick Carl Frieseke, and Sir Frank Brangwyn, as well as Savannah artists Mary Hoover Aiken and Valentino Molina. Follow in their footsteps, from the rocky cliffs of the Mediterranean to the wide beaches of Brittany and intimate gardens outside Paris and Amsterdam. As these painters searched for striking vistas and picture-worthy subjects, each sought to balance tradition and innovation in unique ways, pushing the boundaries of modern art.

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A young woman walks through a street market carrying a brass coal bucket and basket. She wears …
Hans Herrmann
1900 - 1910
A painting of three nude boys lounging on rocks by a pool of water.
Valentino Molina
c. 1904 - 1910
A painting of a woman in a striped dress seated at a table with a large terracotta jug beside h…
Mary Hoover Aiken
1933
Two women conversing on the bow of a boat - one standing against the railing and one reclining …
Raoul du Gardier
c. 1900 - 1909
A field of tulips layered in varying colored rows progressing towards a line of trees obscuring…
George Hitchcock
c. 1890 - 1905
Glimpses of buildings and sinewy trees as seen through the fog from a high vantage point.
Georg Sauter
1907
A view of a garden with a small pool in the foreground with two women seated just behind it, on…
Frederick Carl Frieseke
before 1910
A man in a white suit sits amongst the foliage and flowers, holding a palette and brushes in th…
James Jebusa Shannon
c. 1892
A predominantly blue tonal painting of a woman reclining in a hammock with a fan in her proper …
Frederick Carl Frieseke
before 1915
A woman seated with her dog atop a hillside watches the sailboat regatta and undulating coastli…
Alfred Stevens
1894