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A large painting consisting of an orange form encompassing a yellow circular shape with strokes…
The Rock
A large painting consisting of an orange form encompassing a yellow circular shape with strokes…
A large painting consisting of an orange form encompassing a yellow circular shape with strokes of red and fields of blue surrounding the central forms.
The Rock, Ethel K. Schwabacher, 1961, oil on canvas, Telfair Museum of Art, Savannah, Georgia, © C. Schwabacher and B. Webster.

The Rock

Artist (American, 1903 - 1984)
Date1961
MediumOil on canvas
DimensionsCanvas: 78 × 65 inches (198.1 × 165.1 cm)
Framed: 78 1/2 × 65 1/2 × 1 1/2 inches (199.4 × 166.4 × 3.8 cm)
Credit LineGift of Christopher C. Schwabacher and Brenda S. Webster.
Object number2007.31
On View
Not on view
Copyright© C. Schwabacher and B.Webster. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextEthel Schwabacher’s visual language was a combination of emotional, lyric, and automatic sources, steeped in nature and deeply personal. She explored themes such as womanhood, childbirth, nature, and Greek mythology and was influenced by poetry. While Schwabacher sympathized with urges to express the unconscious mind—similar to establishment, often male, Abstract Expressionist painters during her lifetime—she deemed their work anti-human and hostile to women, in particular Willem de Kooning’s Woman series from the 1950s. Schwabacher called her style the “lyric/epic” and described her artistic process as a lifelong search for “the place where”—the point of maximum concentration and energy on the canvas. The Rock is an example of Schwabacher’s mature abstract style, and she was highly regarded for her expert and formal use of composition and color. Warm tones define her work from this period, and this painting demonstrates her facility with bold composition and striking color. Schwabacher’s artistic mentor and close friend Arshile Gorky was a noted Abstract Expressionist who introduced her to surrealism and automatism; she became his first biographer after his death in 1948.
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