Skip to main content
An amorphous shape of green with a black hole containing a projecting white and red striped col…
Study for Capri
An amorphous shape of green with a black hole containing a projecting white and red striped col…
An amorphous shape of green with a black hole containing a projecting white and red striped column, all surrounded by blue lobes with red dots.
Study for Capri, Elizabeth Murray, 2003, gouache, watercolor and watercolor pen on paper, Telfair Museum of Art, Savannah, Georgia, © 2024 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York.

Study for Capri

Artist (American, 1940 - 2007)
Date2003
Mediumgouache, watercolor and watercolor pen on paper (Cut-out; reads as a relief)
DimensionsImage: 28 1/2 × 28 1/2 × 3 inches (72.4 × 72.4 × 7.6 cm)
Framed: 30 × 30 × 2 inches (76.2 × 76.2 × 5.1 cm)
Credit LineKirk Varnedoe Collection, Telfair Museum of Art, Savannah, Georgia, Gift of the artist.
Object number2006.18
On View
Not on view
Copyright© 2024 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws. Label TextMurray is well known for her vivid, colorful and expressionistic abstract paintings that reshaped Modernist abstraction into a high-spirited, cartoon-based and comic-like language, with subjects including domestic life, relationships and the nature of painting itself. Many of Murray’s works are on shaped canvases that playfully test the boundary between sculpture and traditional two-dimensional painting. Murray’s Study for Capri is a watercolor and gouache on paper that is characteristically composed of several sheets of paper cut into different shapes, resulting in a three-dimensional piece that has a far greater presence than a simple, flat surface. The vividly colored form of this piece is pleasing and vaguely biomorphic, recalling textbook illustrations of the amoeba and other microscopic organisms. Murray was born in Chicago in 1940. She received a BFA from the Art Institute of Chicago and an MFA from Mills College in Oakland, California. She held numerous distinguished teaching positions at such institutions as The Art Institute of Chicago, Princeton University, Yale University, and New York’s School of Visual Arts. Her work is in the permanent collection of The Art Institute of Chicago, the Baltimore Museum of Art, the Cleveland Museum of Art, The Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution, the Metropolitan Museum of Art, the Museum of Modern Art in New York, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, and many others.
An oval composition of amorphous shapes in a myriad of colors.
William Scharf
1969
A linear reinterpretation of Seurat's La Grande Jatte on a pink background punctuated with rows…
Murray Reich
1990
A wooden box with a painted blue and black checkerboard pattern and a cut-out of two African Am…
Paul Edward Walker
1997
A print composition consisting of a black scribbled background overlaid by a disc with color pa…
Frank Stella
1989
An abstract composition composed of vertical stripes formed out of multicolored squiggly lines …
John B. Murray
n. d.
Self Portrait
Myrtle Jones
c. 1955
An eagle with a human head is flanked by choirs of angels and perched on a fence made of arrows…
Leroy Almon Sr.
1983
A watercolor of schooner boats or ships anchored on the mirrored surface of still water.
William Zorach
n. d.
A painting of a view of a town with houses at the right and left executed with quick strokes of…
Gifford Beal
1916
An abstract composition of red arrows creating a spiral over a blue, green, and yellow backgrou…
Howardena Pindell
2005 - 2007
A printed composition of geometric shapes created by intersecting blue lines containing blue, r…
Roy Lichtenstein
1987