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An amorphous shape of green with a black hole containing a projecting white and red striped col…
Study for Capri
An amorphous shape of green with a black hole containing a projecting white and red striped col…
An amorphous shape of green with a black hole containing a projecting white and red striped column, all surrounded by blue lobes with red dots.
Study for Capri, Elizabeth Murray, 2003, gouache, watercolor and watercolor pen on paper, Telfair Museum of Art, Savannah, Georgia, © 2023 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York.

Study for Capri

Artist (American, 1940 - 2007)
Date2003
Mediumgouache, watercolor and watercolor pen on paper (Cut-out; reads as a relief)
DimensionsImage: 28 1/2 × 28 1/2 × 3 inches (72.4 × 72.4 × 7.6 cm)
Framed: 30 × 30 × 2 inches (76.2 × 76.2 × 5.1 cm)
Credit LineKirk Varnedoe Collection, Telfair Museum of Art, Savannah, Georgia, Gift of the artist.
Object number2006.18
On View
Not on view
Copyright© 2023 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws. Label TextMurray is well known for her vivid, colorful and expressionistic abstract paintings that reshaped Modernist abstraction into a high-spirited, cartoon-based and comic-like language, with subjects including domestic life, relationships and the nature of painting itself. Many of Murray’s works are on shaped canvases that playfully test the boundary between sculpture and traditional two-dimensional painting. Murray’s Study for Capri is a watercolor and gouache on paper that is characteristically composed of several sheets of paper cut into different shapes, resulting in a three-dimensional piece that has a far greater presence than a simple, flat surface. The vividly colored form of this piece is pleasing and vaguely biomorphic, recalling textbook illustrations of the amoeba and other microscopic organisms. Murray was born in Chicago in 1940. She received a BFA from the Art Institute of Chicago and an MFA from Mills College in Oakland, California. She held numerous distinguished teaching positions at such institutions as The Art Institute of Chicago, Princeton University, Yale University, and New York’s School of Visual Arts. Her work is in the permanent collection of The Art Institute of Chicago, the Baltimore Museum of Art, the Cleveland Museum of Art, The Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution, the Metropolitan Museum of Art, the Museum of Modern Art in New York, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, and many others.
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