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A black and white photograph of the profile of a man's face featuring the top of a collared shi…
Prima Facie: Sweatshirt Grey
A black and white photograph of the profile of a man's face featuring the top of a collared shi…
A black and white photograph of the profile of a man's face featuring the top of a collared shirt adjacent to a blank white surface on the right side with the capitalized words "SWEATSHIRT / GREY".
Prima Facie: Sweatshirt Grey, John Baldessari, 2006, archival pigment print on epson ultra smooth fine art paper mounted on museum board, Courtesy of John Baldessari.

Prima Facie: Sweatshirt Grey

Artist (American, 1931 - 2020)
Date2006
Mediumarchival pigment print on epson ultra smooth fine art paper mounted on museum board
DimensionsImage: 30 × 48 inches (76.2 × 121.9 cm)
Framed: 30 1/4 × 48 3/8 × 1 1/2 inches (76.8 × 122.9 × 3.8 cm)
Credit LineKirk Varnedoe Collection, Telfair Museum of Art, Savannah, Georgia, Gift of the artist.
Object number2006.6
On View
Not on view
CopyrightCourtesy of John Baldessari. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextConceptual artist John Baldessari is a native of Southern California. He attended San Diego State University and later taught at the California Institute of the Arts and the University of California at Los Angeles. His earliest works were text paintings, composed of a few sentences or a simple phrase hand-lettered onto a canvas. He subsequently began hiring sign painters to construct his text paintings with industrial letters, removing the distracting imperfections of his hand-lettering. Beginning in 1970, Baldessari expanded his media to include work in printmaking, photography, video, installation, and sculpture. Prima Facie: Sweatshirt Grey is from the artist’s Prima Facie series, in which a photograph of a person is juxtaposed with a simple, descriptive word or phrase. Although at first glance the words may seem intended to clarify the image, upon examination the relationship between image and words reveals itself to be ambiguous at best. The series title, which translates from the Latin roughly as “at first view,” is a legal term for evidence that is sufficient to establish a fact in question unless rebutted. The title only adds to the uncertainty of the relationship between the two halves of the work.
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