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A black and white watercolor of a skull composed of two seated girls and a dog.
Untitled (Aujourd'hui Rose)
A black and white watercolor of a skull composed of two seated girls and a dog.
A black and white watercolor of a skull composed of two seated girls and a dog.
Untitled (Aujourd'hui Rose), Cecily Brown, 2005, gouache and watercolor on paper, Telfair Museum of Art, Savannah, Georgia, Courtesy of the artist.

Untitled (Aujourd'hui Rose)

Artist (British, born 1969)
Date2005
Mediumgouache and watercolor on paper
DimensionsImage: 12 3/4 × 15 inches (32.4 × 38.1 cm)
Credit LineKirk Varnedoe Collection, Telfair Museum of Art, Savannah, Georgia, Gift of the artist.
Object number2006.7.2
On View
Not on view
Copyright© Cecily Brown. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextCecily Brown is interested in the “fertile ground” between figuration and abstraction. Brown’s paintings, drawings, and prints embrace and frequently feature the nude human form with a feminine, and even sensual, perspective. A Brit trained in London, Brown moved to New York shortly after earning her B.F.A. from the Slade School of Art in London in 1993. Solo exhibitions in New York in the 1990s brought her work to the attention of high-profile collectors, including Charles Saatchi and Agnes Gund, effectively launching her career. Brown’s work references the history of figure painting in art, whether 20th-century painters like Willem de Kooning or 16th- to 17th-century historic painters like Peter Paul Rubens. Defending her interest in high and low source material, Brown states: “For my generation it’s just a part of how we think. Obviously, one uses a comic work, at the same time as pornography, at the same time as Titian—there isn’t really a hierarchy. You don’t draw a line, it’s all just like a mass to feed on.”
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