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Frederick Douglass (1818-1895)
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Adam Kuehl Photography. A bust of a man with gray hair and beard looking toward the left in a black jacket and white collared shirt.
Frederick Douglass (1818-1895), Vernon Edwards, 1982, mahogany, Telfair Museum of Art, Savannah, Georgia, (c)
Frederick Douglass (1818-1895)
Date
1982
Medium
mahogany
Dimensions
10 3/4 × 3 5/8 × 2 13/16 inches (27.3 × 9.2 × 7.1 cm)
Credit Line
Museum purchase.
Object number
1997.22.2
On View
On view
Copyright
© Estate of Vernon Edwards. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.
Label Text
Vernon Edwards was one of a small number of accomplished African American woodcarvers working in the Savannah area in the late 20th century. He followed in the footsteps of self-taught artist Ulysses Davis and, like him, made valuable contributions to folk art in the region. By the 1980s, Edwards was pursuing his carving to a greater extent, and his freestanding and relief portrait sculptures of important figures in black history are reminiscent of work he had seen and admired in Davis’ Savannah barbershop. Though less refined, Edwards’ works have an undeniable emotional power that rises from a fierce pride in his heritage. In this sculpture, Edwards pays homage to Frederick Douglass in his signature blocky woodworking style. Douglass, a central figure in 19th-century America, was an escaped slave turned noted abolitionist, statesman, and editor
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