A free-form sculpture in varying hues of pink.

Hot Pink

Artist Anne Ferrer (French, born 1962)

Date2012

Mediumrip stop fabric and fan

DimensionsInflated: 264 × 324 × 432 inches (670.6 × 823 × 1097.3 cm)
Compressed: 22 × 27 × 36 inches (55.9 × 68.6 × 91.4 cm)

Credit LineMuseum purchase with funds provided by Josh and Kelley Keller.

Object number2015.7

On View

Not on view

Copyright© 2024 Artists Rights Society (ARS), New York / ADAGP, Paris. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextParis-based artist Anne Ferrer, speaks of her art-making process as “painting with colored textiles and air.” Stitched from parachute fabric, her monumental sculpture Hot Pink was originally commissioned in 2012 by the Taubman Museum of Art in Roanoke, Virginia for that museum’s light-filled atrium. The artist reconfigured the billowing form of Hot Pink to fill the airspace of the Jepson Center atrium with color. Ferrer is best known for her colorful, sensuous and playful sculptures which have been shown in museums and public buildings from the Pompidou Centre in Paris to La Paz Bolivia, to a recent large-scale work for the Houston Public Library. Both beautiful and grotesque, Ferrer’s vibrant works are often, literally, a sensory overload. In past projects she has collaborated with performers, composers, perfumists and a pastry chef. Born in the South of France, Anne Ferrer studied in the United States, majoring in Sculpture at Oklahoma University and receiving a Masters in Fine Arts from Yale University. She returned to France completing her studies in Paris at the Sorbonne. She has shown extensively in France, the U.S. and internationally, including numerous solo exhibitions of her sculpture and paintings as well as fashion design and performance works.

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