Skip to main content
A silver oval sugar basket on a pedestal base with a cobalt blue glass liner and an engraved bo…
Sugar Basket
A silver oval sugar basket on a pedestal base with a cobalt blue glass liner and an engraved bo…
A silver oval sugar basket on a pedestal base with a cobalt blue glass liner and an engraved boar's head crest on the side.
Sugar Basket, Hester Bateman, 1788, sterling silver and glass, Telfair Museum of Art, Savannah, Georgia.

Sugar Basket

Maker ((active 1761–1790))
Date1788
MediumSterling silver and glass
Dimensions4 × 5 × 3 3/4 inches (10.2 × 12.7 × 9.5 cm)
MarkingsHallmarks on the bottom: kings head; n [date mark]; HB [in rounded rectangle]; lion passant; crowned leopard
Credit LineGift of Frank A. Rizza, M.D. and family.
Object number2012.15.24.a-.b
On View
Not on view
CopyrightThe images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextThis sterling silver sugar basket with cobalt blue glass liner rests on a pedestal base. The basket is equipped with a beaded handle and designed with an openwork and beaded band around the rim. Engraved on the side is a boar's head crest. Though this basket is a lovely piece of artistry, it is not nearly as impressive as the woman who created it. Hester Bateman is perhaps England’s most famous female silversmith. After the death of her husband in 1760, she registered her own mark in 1761 and managed to create beautiful pieces of silver, operate a successful business that lasted four generations, and raise six children, all in a world where women in business were a rarity. Bateman bridged economic classes throughout her life, working to move from her poor and illiterate upbringing to a comfortable and secure life. She created widely popular pieces that were simple yet elegant, attainable by the middle classes yet offering the beauty typically enjoyed by the wealthy elite. This sugar basket, like most of Bateman’s creations, was intended for dining and entertaining. Its cobalt blue glass interior offers a rich contrast to the silver basket and held sugar for sweetening tea and other foods. The handles on baskets allowed diners to pass food and condiments around the table rather than relying on waitstaff. Although sugar was first refined in India about 6,000 years ago, it did not become widely available in Europe until European nations imported enslaved Africans into colonies in the Americas beginning in the 16th century. With the increased availability of sugar, tea, and coffee brought by expanding global trade and imperial slavery, the demand for silver domestic objects proliferated. Silversmiths like Bateman produced hundreds of types of hollowware and cutlery, limited only by the silversmith’s imagination and their customers’ finances.
Sterling silver sugar basket with cobalt blue glass liner. The handle and base have an openwork…
Hester Bateman
1782
A silver oval, straight-sided teapot with a wooden handle and finial on the lid, and adorned wi…
Hester Bateman
1780
Sterling silver sugar tongs with oval-shaped tips, the arms engraved with brightwork design and…
Hester Bateman
1780
A sterling silver sugar tongs with oval-shaped tips, the arms engraved with brightwork design a…
Ann Bateman & Peter Bateman
1797
Ann Bateman, Peter Bateman & William Bateman
1802
Sterling silver open sugar bowl with ovoid body in fluted, brightwork decorated panels, and upr…
Ann Bateman & Peter Bateman
c. 1791 - 1799
A silver thirteen-piece cruet set stand with monopod lion supports and an engraved crest in the…
Paul Storr
1810
Sterling silver ovoid teapot with fluted, brightwork decorated panels, a hinged lid, and wood f…
Ann Bateman, Peter Bateman & William Bateman
1802
A Victorian sterling silver sugar bowl with a finely engraved cartouche depicting a heraldic cr…
Samuel Smily
1866
A sterling silver sugar bowl with four clawed-feet, two handles, and floral gadrooning around t…
Tiffany and Co.
c. 1895