A group of dark-skinned individuals waiting to vote in a room with a high horizon line and tilt…

The 1920s...The Migrants Arrive and Cast Their Ballots

Artist Jacob Armstead Lawrence (American, 1917 - 2000)

Date1974

MediumScreenprint on paper

DimensionsPlate: 32 × 24 1/4 inches (81.3 × 61.6 cm)
Sheet: 32 7/8 × 25 1/2 inches (83.5 × 64.8 cm)

Portfolio/Series"Migration" series and Kent Bicentennial portfolio, "Spirit of Independence"

Credit LineGift of Lorillard, a Division of Loew’s Theatres, Inc.

Object number1977.19

On View

Not on view

Copyright© 2024 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws. Label TextIn this work, created for a print portfolio in honor of the U.S. Bicentennial, Jacob Lawrence revisits the subject matter of his famous series of paintings entitled the Migration of the Negro. That series of 60 panel paintings tells the story of African Americans leaving the overt racism and segregation perpetuated through Jim Crow laws of the South and moving north in the first half of the 20th century in search of better opportunities. Born in Atlantic City, New Jersey, Lawrence witnessed firsthand the influx of African Americans to New York. The Migration series became part of Lawrence’s 1941 exhibition at Downtown Gallery, the first solo exhibition by an African American artist at a commercial gallery in New York. In this print, Lawrence depicts black Americans in the 1920s exercising the right to vote in a northern city, a scene almost unthinkable in the South during that time.

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