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A black and white image of a lone tree and its shadow cast against the snow.
Untitled
A black and white image of a lone tree and its shadow cast against the snow.
A black and white image of a lone tree and its shadow cast against the snow.
Untitled, Ralph Steiner, 1977, gelatin silver print, Telfair Museum of Art, Savannah, Georgia, © Courtesy of the Estate of Ralph Steiner.

Untitled

Artist (American, 1899 - 1986)
Date1977
Mediumgelatin silver print
DimensionsSheet: 7 15/16 × 10 inches (20.2 × 25.4 cm)
Portfolio/Series"Ralph Steiner, Portfolio II"
Credit LineGift of Dr. Marvin and Norma Rappaport.
Object number2017.9.9
On View
Not on view
Copyright© Courtesy of the Estate of Ralph Steiner. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label Text“Be intensely yourself. Don’t try to be outstanding; don’t try to be a success; don’t try to do pictures for others to look at—just please yourself.” -Ralph Steiner As a young man learning about photography, Ralph Steiner decided there was no true formula to creativity, but rather the best photographs were made when he took them to please himself, which went contrary to the popular opinion put forward by photographers at the time. Steiner is considered a vanguard of photography today. When he was in college at Dartmouth, he was the first and only student in their newly-offered course on photography. Afterward, he attended one year at the Clarence White School of Photography and went on to make successful commercial work for magazines. He also gained a reputation as a filmmaker. H2O, a silent film looking at the abstracted properties of flowing water, today is considered the second earliest art film by art historians. He took fresh views of the people, places, and objects around him that resulted in keen, unstudied but remarkable photographs. His later work, which often focused on nature views, were a respite from his years spent in New York City as he found beauty in the shadows on fresh powder and the resilience of a tree.
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