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A triptych of ambrotypes showing cargo ships on the Savannah River from the viewpoint of Hutchi…
View of Port of Savannah from Hutchinson Island, Georgia
A triptych of ambrotypes showing cargo ships on the Savannah River from the viewpoint of Hutchi…
A triptych of ambrotypes showing cargo ships on the Savannah River from the viewpoint of Hutchinson Island.
View of Port of Savannah from Hutchinson Island, Georgia, Michael Kolster, 2014, ambrotype (glass plate), Telfair Museum of Art, Savannah, Georgia, © Michael Kolster.

View of Port of Savannah from Hutchinson Island, Georgia

Artist (American, born 1963)
Date2014
MediumAmbrotype (glass plate)
DimensionsPlate (Individual): 7 3/8 × 9 3/16 inches (18.7 × 23.3 cm)
Framed: 14 × 36 inches (35.6 × 91.4 cm)
Portfolio/Series"Rivers" series
Credit LineGift of Karen Wells and Andrew Canning.
Object number2019.32.1.a-.c
On View
Not on view
Copyright© Michael Kolster. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label Text“My interest in rivers comes from how they embody the ever-shifting nature of our own attachments to place and to one another, giving shape to the flow of time that washes our days away.” -Michael Kolster As part of his Rivers series (2011-14), Michael Kolster created contemporary wet-plate ambrotypes of four American rivers that flow into the Atlantic Ocean—the Androscoggin, Schuylkill, James, and Savannah—as they emerge from two centuries of industrial use and neglect. In the spirit of 19th-century photographers such as Louis Daguerre, Henry Fox Talbot, and Timothy O’Sullivan, Kolster created unique glass-plate images in a portable darkroom set up along the banks and overlooks of these rivers. His process recalled the historical relationship between the dawn of photography and the rise of industrialization, as the chemistry involved in fixing and developing the image on a plate mirrored the forms of the landscape captured in his photographs. Ultimately, Kolster’s ambrotypes suggest that as the boundaries continue to dissolve between humankind and nature, we can embrace and cherish places once degraded and ignored that have become, in their own way, alluring.
Subject MatterHutchinson Island, Savannah River, Savannah, Georgia, United States of America
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Telfair Museum
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