Skip to main content
A figure seated on a wooden bench holding an open book stares back at the  viewer.
Boy on a Bench
A figure seated on a wooden bench holding an open book stares back at the  viewer.
A figure seated on a wooden bench holding an open book stares back at the viewer.
Boy on a Bench, Samella Lewis, 2007, offset lithograph on Somerset paper, Telfair Museum of Art, Savannah, Georgia, © 2024 Samella Lewis / Licensed by VAGA at Artists Rights Society (ARS), NY.

Boy on a Bench

Artist (American, 1924 - 2022)
Printer (American, 1930 - 2012)
Publisher (American, founded 1972)
Date2007
MediumOffset lithograph on Somerset paper
DimensionsImage: 27 9/16 × 20 3/8 inches (70 × 51.8 cm)
Sheet: 27 9/16 × 20 3/8 inches (70 × 51.8 cm)
Matted: 40 × 32 inches (101.6 × 81.3 cm)
MarkingsWatermark on the front bottom left, vertically oriented: "Somerset"
Credit LineMuseum purchase in honor of Courtney McNeil with Telfair Museum of Art acquisitions endowment funds.
Object number2021.7.5
On View
Not on view
Copyright© 2024 Samella Lewis / Licensed by VAGA at Artists Rights Society (ARS), NY. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextThis depiction of a young boy sitting on a bench with his upturned eyes and slightly doleful expression offers a consideration of the transformative effect of education. This topic was important to Lewis, whose career is indicative of the benefits of learning. Lewis’ 1969 publication 'Black Artists on Art' offered the first survey of African American art history, and she has continued to make an impact as a trailblazing scholar, editor, curator, publisher, and artist. The artist considered art to be “instrument of communication—with myself and with others,” and frequently noted in interviews that her art was inseparable from her life experiences. Text written for 'Contemporary Spotlight: New Acquisitions from the Brandywine Workshop' on view February 4 - May 1, 2022.
Two figures rendered in black are shown on a yellow path that leads to a farm through a forest.…
Faith Ringgold
2007
Lewis & Smith
c. 1805 - 1811
A circular, demi-fluted sugar bowl with gadrooned trim, one-inch band of bright-cut engraving, …
Lewis & Smith
c. 1805 - 1811
A female's silhouette carrying a bushel atop her head with her right arm bent behind her back.
Kara Walker
2013
A black and white lithograph of a sailboat at full mast navigating swirling seas under storm cl…
Kara Walker
2013
A woman in three-quarters profile looks over her shoulder. The background around the figure is …
Emma Amos
2002
Study of a copy of a woman
Augusta Denk Oelschig
by 2000
A purple figure dressed in a military uniform rides an orange and black horse. In the backgroun…
Benny Andrews
1985