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Succession of staircases, bridges and passage ways including a drawbridge at the center of the …
The Drawbridge
Succession of staircases, bridges and passage ways including a drawbridge at the center of the …
Succession of staircases, bridges and passage ways including a drawbridge at the center of the composition.
The Drawbridge, Giovanni Battista Piranesi, c. 1761-1778, etching and engraving on paper, Telfair Museum of Art, Savannah, Georgia.

The Drawbridge

Artist (Italian, 1720 - 1778)
Datec. 1761 - 1778
Mediumetching and engraving on paper
DimensionsPlate: 22 × 16 1/4 inches (55.9 × 41.3 cm)
Framed: 41 3/4 × 31 3/4 × 7/8 inches (106 × 80.6 × 2.2 cm)
Portfolio/SeriesPlate 7, "Carceri d’invenzione [Imaginary Prisons]"
Credit LineGift of Mrs. Julianna F. Waring.
Object number1973.23.37
On View
Not on view
CopyrightThe images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextPiranesi, a technically brilliant and enormously expressive printmaker, was one of the most important artists of the 18th century. Piranesi's Carceri series presents immense, terrible, awe-inspiring prisons, existing only in the artist's imagination. Plate VII from this series displays a cavernous and rambling structure, teeming with staircases, suspended walkways, and a prominent drawbridge, all arranged around a colossal column. The small human figures traversing the endless stairs and walks are antlike, dwarfed by the vastness of the space. Cables, lanterns, and machinery further litter the prison's vast interior, contributing to the ominous and shadowy effect of the whole. The Carceri series is a testament to both Piranesi's boundless imagination, and the contemporary taste for the sublime, or subjects inspiring awe, mystery, and fear. The primacy of the imagination and a predilection for the sublime would characterize the emergent Romantic movement, which had its roots in images like Piranesi's Carceri prints.