Skip to main content
A large horizontal abstraction with vivid colors including blue, purple, orange, and yellow. An…
Ascending Betrayal
A large horizontal abstraction with vivid colors including blue, purple, orange, and yellow. An…
A large horizontal abstraction with vivid colors including blue, purple, orange, and yellow. An “X” shape is formed at the top left with two elongated black and yellow forms with orange and purple triangles in the center.
Ascending Betrayal, William Scharf, 1985, acrylic on canvas, Telfair Museum of Art, Savannah, Georgia, © Estate of William Scharf.

Ascending Betrayal

Artist (American, 1927 - 2018)
Date1985
Mediumacrylic on canvas
DimensionsFramed: 66 × 179 inches (167.6 × 454.7 cm)
Credit LineMuseum purchase with funds provided by the Telfair Academy Guild.
Object number2001.25
On View
Not on view
Copyright© Estate of William Scharf. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextFor decades William Scharf worked in an abstract style influenced by the abstract expressionists and color-field painters of the New York School. His expressive forms and organic shapes are reminiscent of the surrealist works of Arshile Gorky, but the inherent dynamism of Scharf’s compositions, which incorporate personal symbols and vibrant color, distinguishes his individual style. Drawing upon history, myths, dream imagery, and poetry, his work invites multiple interpretations. For nearly two decades, Scharf spent his summers working in a studio on Factor’s Walk overlooking the Savannah River. He said of his warehouse studio, “The important thing is that I work here uninterrupted… I’m here from sunup to sunset. I get… a lot of work done here. It’s an acutely important place for me.” The monumental Ascending Betrayal was completed during Scharf’s final summer in Savannah.
An oval composition of amorphous shapes in a myriad of colors.
William Scharf
1969
Abstract drawing in yellow, orange, and blue. At the bottom left, a triangle is outlined in bla…
William Scharf
1984
Curled Colors
William Wegman
2001
A nude, kneeling female figure covered with pale orange stripes.
William Scharf
1971
A painting of an inverted purple "T" form with red, blue, orange, and green L-shaped forms radi…
Howard William Mehring
1965
Four overlapping rectangles in brown, green, yellow and white.
Maya M. Farber
1966
A large painting consisting of an orange form encompassing a yellow circular shape with strokes…
Ethel K. Schwabacher
1961
A non-objective watercolor with washes of color, mostly blue, with diagonal streams of green, y…
Paul Jenkins
1983
Various fantastic human and animal figures floating in a snake-infested landscape. The predomin…
Robert Beauchamp
1990
Jocassee
James Brooks
1972