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A silver coffeepot embellished with a repousse alpine scene on an urn-shaped body mounted atop …
Coffeepot
A silver coffeepot embellished with a repousse alpine scene on an urn-shaped body mounted atop …
A silver coffeepot embellished with a repousse alpine scene on an urn-shaped body mounted atop a floral pedestal foot with matching hinged lid. The rectangular handle is decorated with leaves and a ram's head.
Coffeepot, S. Kirk & Son Inc., 1932, silver and bone, Telfair Museum of Art, Savannah, Georgia.

Coffeepot

Maker ((active 1846-1979))
Datec. 1933
MediumSilver and bone
Dimensions13 1/8 × 9 inches (33.3 × 22.9 cm)
MarkingsMaker's mark stamped on the bottom: S KIRK & SON INC / STERLING / 262 L / HAND DECORATED
Credit LineGift of the estate of Virginia Bateman Comer.
Object number2011.14.1
On View
Not on view
CopyrightThe images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextThe Baltimore, MD-based silversmithing firm of Samuel Kirk gained a strong reputation in the 19th century for the repoussé and chased landscapes that adorned many of their wares. In this technique, silversmiths push the metal from the back of a surface forward to form shapes and then incise lines on the raised surface to create details and textures. Kirk silver had an especially strong following in the American South. Macon, GA native Virginia Bateman Comer (1914-2011) encountered the firm’s work on a trip with her mother-in-law Maud Gamble Comer (1886-1962) to the Chicago Century of Progress Exposition in 1933. Afterward, Maud Comer ordered this service from the company as a gift to mark Virginia's marriage to her son the previous year, and their marriage date and Virginia's initials are engraved on the serving tray.
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