A half-length oil portrait of a seated woman facing the proper right in a black gown lined with lacy cuffs and stiff folded over collar. The woman's features include a black coiffure of curls framing her plump features and rosy complexion.
Ellen McInnes McAlpin, John Wesley Jarvis, c. 1820-1831, oil on canvas, Telfair Museum of Art, Savannah, Georgia.
CopyrightThe images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextEllen McAlpin (1799–c. 1833) was the second wife of landholder and enslaver Henry McAlpin (1780–1851). A pendant work to the portrait of her husband, Ellen is clothed in a luxurious blue velvet dress, adorned with a delicate cotton collar and sheer silk scarf pinned at the chest with an amber-colored clasp, a series of items that reflect her position amongst wealthy Savannahians. The inclusion of classical elements, like the column and romantic landscape, contribute to a sense of sophistication and stability, both in the composition and within her likely role as household manager. Beyond the billowing crimson curtains, two trees romantically intertwine and reach towards the top of the canvas, perhaps symbolizing Ellen’s everlasting union with Henry.
- Label text written by historical interpreter, Kate Lacivita