A group of people standing on the stern of a ferry boat.

Images(15)

A group of firemen standing in front of a firetruck.

A group of park rangers standing by a cliff edge overlooking the canyon.

A group of body builders standing on a stage.

A group of hunters standing in front of a brown building.

Four metal food carts with their attendants and yellow umbrellas.

A women's softball team wearing blue striped uniforms and staged in two rows.

A group of conductors standing subway tracks in front of a train.

A group of cemetery workers standing behind an open grave.

A group of people biking on old fashioned bicycles.

A group of transportation workers standing underneath a sign that says "Hollland Tunnel."

A group of wrestlers standing in a shower.

A group of men in white shirts with black ties standing on blueprints.

A sea of salesworkers standing around tables in front of a stage in a theater.

Groups in America portfolio

Artist Neal Slavin (American, born 1941)

Date1979

MediumPhotographs: chromogenic prints on Kodak Ektacolor 74 RC-N paper; Portfolio: cardboard and fabric; Introductory Pages: paper

DimensionsImage Sizes Vary: 10 7/16 × 10 7/16 inches to 10 7/16 x 14 inches
Sheet Sizes Vary: 13 15/16 × 10 15/16 inches to 10 7/16 x 14 inches

Credit LineGift of The Estrin Family.

Object number2011.19.1.1-.16

On View

Not on view

Copyright© Neal Slavin. The images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextNeal Slavin is a celebrated photographer, known for his keen portraits of groups of people in the United States and abroad. The portfolio Groups in America was a significant gift to Telfair’s contemporary photography collection. Slavin began focusing on group portraiture after encountering a found photograph of a Boy Scout troop in 1972. The image captured his attention, and Slavin began to shoot his own group photos. His first attempt was a portrait of The Flushing Volunteer Ambulance Corps, taken in both black-and-white and color. Although he had been working primarily in black-and-white photography, Slavin discovered color provided richer detail and information, making it better suited for the complex dynamics of group compositions. Slavin continues to photograph groups today, finding them a rich subject for exploration. The group dynamic is often sociologically revealing, as Slavin notes, when people “get together and they put on their public persona as opposed to their private persona.” Slavin allows the groups to pose themselves, revealing desires and concerns about how individuals are depicted by the camera. Distinct personalities become apparent even when the view is one of many bodies. Presented as straightforward, documentary evidence of a place and time, Slavin’s images in this exhibit highlight American subcultures of the 1970s, using humor to investigate what it means to belong. Slavin has been photographing for more than 40 years and has published three books: Portugal, When Two or More Are Gathered Together, and Britons. His work appears in the collection of the Metropolitan Museum of Art, the National Portrait Gallery, and the J. Paul Getty Museum, among others. In addition to teaching at Pace University and the International Center of Photography, Slavin is currently making a book and film titled The Prayer Project, which considers the gathering of religious groups in terms of tolerance and hope. The project continues his interest in the group as a form of self-identification. He notes: “I want my work to affirm our self-identity within our public persona; to affirm the joy of being together rather than being apart.”

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