Lace Collar and Cuffs

Datec. 1650 - 1699

MediumCotton and silk threads made in the Gros Point de Venise style, specifically Point d’Ivoire

DimensionsTop Cuff: 5 3/4 × 19 3/4 inches (14.6 × 50.2 cm)
Bottom Cuff: 5 3/4 × 19 1/4 inches (14.6 × 48.9 cm)
Collar: 17 × 31 × 2 5/8 inches (43.2 × 78.7 × 6.7 cm)
Backing: 24 1/2 × 31 3/8 inches (62.2 × 79.7 cm)

Credit LineGift of Mrs. John B. Seymour in memory of her father, Joseph Hilton.

Object number2020.9.9.a-c

On View

Not on view

CopyrightThe images and text contained on this page are owned by Telfair Museums or used by the Museum with permission from the owners. Unauthorized reproduction, transmission or display of these materials is prohibited with the exception of items deemed “fair use” as defined by U.S. and international copyright laws.Label TextThe large, half round shape of the collar and the cuffs for wide sleeves were most likely made for a Venetian nobleman. Lace makers of this era were generally poor women and nuns. In the 19th and early 20th centuries, American and European museums’ collections included examples of textiles representing the woven history of many different global cultures. The Telfair Academy of Arts and Sciences [now Telfair Museums] received collections of textiles from various well-traveled Savannahians. The Hilton Textile Collection is mentioned in a 1937 WPA travel guide to Savannah; boasting that among other objects of material culture, the Telfair Museum of Art held an international collection of textiles. "The Hilton Collection of Textiles was presented by Ida Hilton Seymour as a memorial to her father, Josiah Hilton. Examples of old embroidery from England, Greece, Turkey, Persia and China are shown on head bands, waistcoats or yellowing handkerchiefs. Lace woven in Venice a century ago, French and Spanish brocades, and Indian weaving of a lost era display handwork artistry."

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